November 5, 2013 § Leave a Comment
October 29, 2013 § Leave a Comment
The first wave of yoga drawings I came up with was years ago, back when I first started practicing yoga in Kuala Lumpur. That was probably 2007 or 2008. While I continued to practice, I wasn’t that inspired to draw more… pottery was my focus for most of the time. But having to travel (which was a joy and a huge privilege) meant that I was away from the wheel for more than 3 months, with good chunks of time in my hands and I started drawing and painting again. It seems to have opened the flood gates, and I am happy to share with you three new yoga drawings that will be coming out as prints in my etsy shop in the next week! Here are pictures of the originals, untouched up and wrinkled paper and all.
These days I love coming up into warrior one. Just don’t like holding it too long because my knees start hurting! The effort it takes to sweep my arms up is what inspired the spiral shell background for this. And I love the courage of Paulo Coelho’s words ‘From now on everything is sacred’.
Kurmasana / Tortoise
The tortoise goes into his shell and looks inwards at his world… I wanted a sense of the spaciousness that comes from looking inwards. And eyes everywhere on my back. That’s what tortoise feels like for me!
Sigh… this is a purely aspirational drawing. I am still way far away from hanomasana. But I am visualising it
Next, I want to share with you the mandalas I drew while I was at Lanserhof, Austria!
June 18, 2013 § Leave a Comment
June 5, 2013 § Leave a Comment
May 28, 2013 § 1 Comment
August 7, 2012 § 6 Comments
It’s been really quiet here, and that’s because I’ve been gleefully up to my arms in clay and sand for the past 3 weeks, assisting in a wood-kiln build at Gaya Ceramic Art Centre in Ubud, Bali, and then making pots to fire up the kiln with!
With other participants, under the instruction of experienced wood-kiln builder and ceramicist Gyan Daniel Wall, I got to heft, chisel and mortar in raw clay bricks to form an anagama kiln that was essentially a large clay vessel to hold pots, flame and fire. We had all the fun, and Gyan and the Gaya boys did most of the hard work If you’re curious about the process, here are some pictures from Gaya Ceramic Art Centre’s facebook page.
Among 7-8 potters over the course of 5 days, we managed to fill the Gayagama with a load of fresh (and in many cases still wet) pots. And then we started the fire.
The pots that emerged from three days of intense firing were remarkably different from that of a gas firing. Instead of applied glaze, they were gifted with a natural finish by wood ash settling and subsequently melting at high temperatures. They were burnished by flame that traveled and squeezed in between a cargo of tightly packed pots. They bloomed with white sparks and grew organic textures, with a vocabulary of rust, orange peel, toast, moss, iron and gray stone. Crystals formed onto, and carbon infused into parts of the clay as it vitrified. Imagine the pleasure of opening the kiln and bringing out surprise after surprise.
I brought back many of the pieces I made…
The cup above has become my favourite water mug of the moment
More pictures of the inside of the kiln and some great work by all the potters who participated in the workshop here.